Welcome to Lola Ya Bonobo, a sanctuary for orphan bonobos in the Democratic Republic of Congo. Say hello to Mimi the Empress, ruler of this female dominated society that lives peacefully in the absence of war and infanticide. Expect your welcome to take the form of sexual contact, the Bonobo handshake. Don’t be alarmed if Vanessa Woods engages in some inappropriate touching to engage bonobos to participate in psychological tests – sex is a means for bonobos to resolve conflict. In the African jungle, anything can happen as those familiar with Vanessa Woods’ earlier memoir, It’s Every Monkey for Themselves, will testify.
Set amidst a civil war, Bonobo Handshake is Vanessa’s third African adventure in which she follows her husband, Dr Brian Hare, on his quest to study bonobos, an endangered ape that share 98.7 percent of our DNA. In Congo, Vanessa adjusts to married life, meets refugees, gains a political education and attempts to reconcile her feelings towards her father. Meanwhile, Brian engages in psychological testing of bonobos in order to compare humans with their closest relatives, chimpanzees and bonobos. Or at least he attempts to, for it is Vanessa who must conduct the tests as the bonobos shun Brian on account of his gender. She develops a fondness for the bonobos that becomes evident in her increasing concern for their wellbeing for in Congo, bonobos are sold as bushmeat and pets in addition to being subjected to torture.
Although Bonobo Handshake is a memoir, Vanessa primarily tells the stories of the bonobos and the land in which they inhabit, whilst recognising her limited authority as an outsider. Vanessa shares her knowledge of animal conservation in an accessible manner with many interesting anecdotes about the sanctuary workers, poachers and government officials. Similarly, her personal musings are concise, humourous and thoughtful with no hint of self indulgence.
As she helps Brian, Vanessa becomes fascinated with the peaceful bonobo society particularly as the casualties of war seep into her consciousness. She dwells upon Congo’s history and the aftermath of consumerism with a series of haunting anecdotes that invites readers to recognise their roles in the downfall of Congo, a third world country. She acknowledges her previous ignorance and does not present herself as a moral compass.
Vanessa’s exploration of Congo’s history helps readers to appreciate the importance of Brian’s work as his ultimate goal is to find an end to the dark side of humanity: war, genocide, infanticide, murder and rape. It is her consideration of deeper issues like this, which may have led Vanessa to abstain from the narcissism that surfaces in memoirs. Notably, ten percent of the book’s profits go to Lola Ya Bonobo.
For Bonobo photos, videos and stories, visit www.bonobohandshake.com